Portishead @ Portishead
35 minutes of musical goodness.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
22 April 2008
02 April 2008
01 April 2008
16 March 2008
Nazca on Facebook
Just put up the Nazca artist page at Facebook.
Nazca joins the mindless minions of faceless corporate devilry or just a fun way to show what we are up to?
You decide here.
For more Nazca online community fun, go to the at the moment dormant website here, or the Youtube channel here or the Myspace profile here.
Just put up the Nazca artist page at Facebook.
Nazca joins the mindless minions of faceless corporate devilry or just a fun way to show what we are up to?
You decide here.
For more Nazca online community fun, go to the at the moment dormant website here, or the Youtube channel here or the Myspace profile here.
24 February 2008
Have you got Have You Got It Yet? yet?
Fans of early Pink Floyd and Syd Barrett will be glad to know that internet group the Laughing Madcaps just released volume 1 and 2 of Syd Barrett compilation Have You Got It Yet. It's great, it's chock-full of mind-melting sonics, fractured lyrics and it's free. Including gems like the Peel session of Scream Thy Last Scream, unavailable anywhere else.
Go here to torrent.
17 December 2007
13 December 2007
Phil Minton - Cenotaph
This sample is taken from Grey suit 7 a brief solo performance recorded in a Cardiff pedestrian underpass.
As Kenneth Goldsmith put it:
Minton's range on this disc [A Doughnut in One Hand, FMP] runs from the sounds of a man choking on his own vomit to the sounds that grandpa makes when you finally decide to pull the plug on his respirator. Minton's like a little kid who's contact-miked himself playing yo-yo with his saliva; he's a baby drooling through his cries; he's mastered the art of the multiple burp; he's perfected the craft of goobering all over his finger and then running it over his lips while moaning. I'd hate to see what his mic looked like after he was done with it. ... Minton ... forces us to ponder the musical qualities of noises that we'd rather not deal with and for that fact alone, makes this an important recording.
More on Phil here.
06 December 2007
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